Wednesday, 19 October 2016

ABOUT KALOJI NARAYANA RAO

Kaloji Narayana Rao

From Wikipedia, the free encyclopedia
Kaloji Narayana Rao
Born9 September 1914
WarangalHyderabad state
(now Telangana State), India
Died13 November 2002 (aged 88)
WarangalTelanganaIndia
Other namesKaloji, Kalanna, Praja Kavi
Known forPolitical activist, poet
Raghuveer Narayan laxmikanth Srinivasa ram raja kaloji[1] (9 September 1914 – 13 November 2002), popularly known as Kaloji Narayana Rao or Kaloji or Kalanna, was an Indian poet, freedom fighter, anti-fascist and political activist of Telangana. He was awarded the Padma Vibhushan in 1992. The Telangana government honored kaloji birthday as Telangana Language Day.[2]

Literary works[edit]

Rao wrote poetry in TeluguUrduHindi, and Marathi languages.[3] In 1992, he was awarded an honorary doctorate by Kakatiya University.[4]
Education:
Kaloji completed his primary education in Madikonda and higher education in Warangal and Hyderabad.
Movements:
During his student days and later, he was deeply influenced by the popular movements of the time like the Arya Samaj Movement, especially the civil rights part of it, the Library Movement and the Andhra Maha Sabha Movement.

Kaloji participated in Andhra Maha Sabha activities since its formation in 1934. He was also associated with the Arya Samaj.
He actively participated in the freedom movement of the erstwhile Hyderabad State and underwent imprisonment under the Nizam. He has also participated in various social, political and literary activities in Andhra Pradesh. His active involvement with the masses and their problems and his tireless struggle for their emancipation have naturally earned him in equal measure the love of the people and the wrath of the powers that be. He is one of those select freedom fighters of our country who were imprisoned by the feudal lords and the alien rulers before the attainment of Indian Independence and by the native leaders thereafter.
Kaloji has been at the forefront of all the significant struggles that make up the history of the erstwhile Hyderabad State.He was part of Satyagraha movement, the Osmania University Student Vandemataram movement, Arya Samaj, State Congress, Andhra Mahasabha(Telenagana) and Anti-Razakar movements.
He has consistently fought for the democratic and responsible government. His commitment to human rights made him an active member of the Tarkunde Committee. Although opposed to power and the trapping of office Kaloji looked upon elections as a democratic exercise. He contested thrice and once got elected as a member of the legislative council. His most significant contest was in 1977 against Vengal Rao then Chief Minister who symbolised the ’emergency’ rule in Andhra Pradesh.

Published writings[edit]

  • Anakathalu -1941
  • Naa Bharatadesha Yatra -1941 (Translation of Brail Ford's "Rebel India")
  • Kaloji Kathalu -1943
  • Parthiva vijayam -1946
  • Naa Godava 1st edition, first print -12/1/1953 ( published in 1953 January 12 at Alampuram by Sri sri at a meeting conducted by Telangana Rracheitala Sangam and Andhra Saraswatha Parishat)
  • Naa Godava 1st edition,second print -12/1953
  • Tudi Vijayam Manadi Nijam -1962
  • Naa Godava Parabhava Vasantham -23/03/1966
  • Naa Godava Parabhava Greeshmam -21/05/1966
  • Naa Godava Parabhava Varsham -19/07/1966
  • Naa Godava Parabhava sharattu -15/10/1966
  • Naa Godava Parabhava Hemantham -13/12/1966
  • Naa Godava Parabhava shishiram -02/1967
  • Naa Godava Parabhava 1st edition, third print -4/1967
  • Jeevana Geetha -1968 (Translation of Khalil Zibran's "The prophet")
  • Telangana Udyama Kavithalu -1969/70
  • Naa Godava (Yuva Bharathi) -1974
  • Naa Godava -1975/77
  • Idi Naa Godava -1995 (Kaloji's autobiographyraphy)
  • Bapu! Bapu!! Bapu!!! -1995
  • Kaloji Kathalu -2000

Death[edit]

Kaloji donated his body for research to Kakatiya Medical College, Warangal.[5]

ABOUT KANCHERLA GOPANNA

Kancherla Gopanna

From Wikipedia, the free encyclopedia
Kancharla Gopanna (Ramadasu)
Bhakta Ramadasu statue in Bhadrachalam.JPG
Kancherla Gopanna Statue at Bhadrachalam
Background information
Birth nameKancharla Gopanna (Goparaju)
Also known asRamadasu, Bhakta RamaDasu
Born1621
Nelakondapalli Village, Khammam Dist
Died1680 (aged 60)
Bhadrachallam
GenresCarnatic music
Occupation(s)Tahsildar and Poet
Kancherla Gopanna (Teluguకంచర్ల గోపన్న) (c 1620 – 1680), popularly known as Bhakta Ramadasu or Bhadrachala Ramadasu(Teluguభద్రాచల రామదాసు), was a 17th-century Indian devotee of Rama and a composer of Carnatic music.[1] He is one among the famous vaggeyakaras (a person who not only composes the lyrics but also sets them to music; vāk = word, speech; geya = singing, singable; geyakāra = singer) in the Telugu language. Other famous vaggeyakaras in Telugu include Tyagaraja, Annamayya, Kshetrayya, and Shyama Sastri. He lived in the village of Nelakondapalli near BhadrachalamTelangana during the 17th century and is renowned for constructing a famous temple for Rama at Bhadrachalam. His devotional lyrics to Rama are famous in South Indian classical music as Ramadaasu Keertanalu. Even the doyen of South Indian classical music Saint Tyagaraja learned his musical compositions. He also wrote Dasarathi Shatakamu (దాశరథి శతకము) with a 'makuTamu' (మకుటము) 'Dasaradhee Karuna payonidhi' (దాశరథీ కరుణా పయోనిధీ!), a collection of nearly 108 poems dedicated to the son of Dasaratha (Lord Rama).

Early life and background[edit]

Legend has that Kancherla Gopanna (Goparaju) renowned as Bhaktha Ramadasu was born in an affluent Telugu Niyogi Brahmin family to Linganna Mantri and Kamamba in Nelakondapalli village of Khammam dist Taluk (Warangal Division of erstwhile Hyderabad State) of northern Telangana (Deccan region). He was the nephew of Madanna of the Madanna and Akkanna brothers who were ministers at the court of Tana Shah of the Qutb Shahi Dynasty in Golconda. Gopanna was later hired as the Tehsildar of Palvancha Taluk by Tana Shah.

Career[edit]

Ramadasu was appointed as the tahsildar (revenue collector) of 'Palvoncha Paragana' by Akkanna, his uncle and the administrative head in the court of Qutub Shahi Sultan Abul Hassan Tana Shah. The legend goes that he discharged his official duties earnestly and collected revenues due to the Sultan - while continuing his unswerving service to Lord Rama by chanting his name and feeding the poor.

Reconstruction of Temple[edit]

Sri Ramanavami Kalyanam utsava at Bhadrachalam Temple, in Telangana
Legendary stories inform that once he visited Bhadrachalam for a Jatara (fair) and was disturbed by the dilapidated state of the temple there. Bhadrachalam was significant to devotees of Rama for many reasons. Lord Rama is said to have stayed near the Parnasala there with Sita and Lakshmana during his exile and also to have visited Shabari near Badrachalam (although it is believed that Shabari used to live near Kishkindha, the kingdom of Vanaras in Ramayanawhich is believed to be near Hampi ). Pothana is believed to have been given direction by Rama to translate theBhagavata Purana into Telugu here. In spite of its significance, the temple was utterly neglected. So, Ramadasu started to raise funds for the renovation and reconstruction of the temple. After he emptied his coffers and could raise no more money, the villagers appealed him to spend his revenue collections for the reconstruction and promised to repay the amount after harvesting crops. As such, Ramadas finished the reconstruction of the temple with six hundred thousand rupees collected from land revenues - without the permission of the Abul Hasan Qutb Shah.
As the temple was nearing completion, he was perplexed one night about fixing the Sudarshana Chakra at the crest of the main temple. On the same night, it is believed that he saw Rama in his dream and asked him to have a holy dip in theGodavari River. When Gopanna did so the next day, it is believed that he found the holy Sudarshana Chakra in the river very easily.

Incarceration[edit]

The story continues that soon after the reconstruction though, his miseries started. He was dismissed from his job for misusing the Sultan Abul Hasan Qutb Shah's revenues and was imprisoned in the Golconda Fort[2] (near Hyderabad) with orders that he be released only after the exchequer received all the taxes in full. Ramadas implores Rama through many emotional songs that were popularized from the stanzas of 'Dasaradhi Sathakam ' and 'Keertanas' of Bhakta Ramadasa. They praise the Lord for all his mysterious ways in popularizing his devotees and Ramadasu regularly sings the Lord. The songs ended in a state of total and unconditional surrender to the will of the Almighty.

Release[edit]

The legend and common belief goes that after eleven to twelve years of imprisonment, Lord Rama decided that his devotee's suffering had reached its pre-ordained ending (because of a certain transgression his soul had committed in a previous birth. Lord Rama and Lakshmana, disguised as two young warriors, entered the bed-chambers of SultanTana Shah in the middle of the night. They presented themselves as Ramoji and Lakshmoji and gave the Sultan six lakh gold coins imprinted with Lord Rama's own seal, as compensation for the spent six lakhs of silver coins.
The Sultan was bewildered at the presence of these charming but strange youngsters in his inner quarters at late night irrespective of tight security. They demanded and obtained on the spot a written receipt for the money. The receipt was shown to the jailer who released Gopanna that very same night. The next day, both Gopanna and the Sultan realized what had happened. Gopanna did not care much for his release but was inconsolable at his not having seen his Lord even with all his devotion, while the Sultan was visited by the Lord. The Lord then appeared to Gopanna in a dream and explained to him the real reason for his actions and promised him salvation at the end of his natural life. The Sultan, in his previous birth, was a devout follower of Lord Shiva and had promised to perform Rudra abhisekham to Lord Shiva for 365 days after which he was convinced that Lord Shiva would appear before him. So the Sultan began performing the abhisekham but erroneously did it for 364 days thinking that he had completed 365 days. On the 365th day, enraged that the Lord did not appear, he broke the lingam into several pieces, upon which the Lord appeared and made the Sultan realize his mistake.
As punishment, the Lord said that the Sultan, in his next birth, will be born as a non-follower; but, as a reward for his having performed puja for 364 days, Lord Rama himself will appear before him.
The Sultan was thus convinced that what had happened was a miracle of Lord Sri Rama. He returned the entire money to the Bhadrachalam Temple. Since then, it has been the royal custom of the Hyderabad State (now part of Telangana State) to send gifts to the temple on the occasion of Sree Rama navami celebrations every year.
Ramadasu continued his devotion towards Lord SriRama and one day a chariot appeared before his home to take him to Vaikunta. Excitedly, he told his wife that he was leaving and asked her to accompany him. His wife, used to Ramadasu's daily dreams of going to Vaikunta, did not take his request seriously and told him that she will accompany him later. Ramadasu ascended the chariot and amidst chantings from the crowd left for Vaikunta. Hearing the commotion, his wife came out of the house only to see that her husband had already left. Wailing at her mistake and questioning as to what do without her husband, a voice emanating from a nearby murti of Lord SriRama proclaimed that Ramadasu had attained salvation which is why he had departed for Vaikunta. The same voice also said that she still needed to do service before she too would be united with the Lord.

Popular culture[edit]

Carnatic compositions[edit]

Ramadasu composed nearly 300. Some of them are as follows:
songs[3]
  • Ramachandraya Janaka Rajaaja Manohara in Kurinji
  • Tarakamantramu in Dhanyasi
  • Ye Teeruga Nanu in Nadanamakriya
  • Adigo Bhadradri in Varali
  • Anta Ramamayam in Darbari Kannada
  • Charanamulae Nammidhi in Kapi
  • Rama Ra Ra in Kamas
  • Dasharatha Rama Govindha in Kamas

ABOUT MOLLA

Molla (poet)

From Wikipedia, the free encyclopedia
This article is about the Telugu poet. For other uses, see Molla (disambiguation).
Atukuri Molla (1440–1530) was a Telugu poet who authored the Telugu-language Ramayana. Identified by her caste, she was popularly known as Kummara (potter) Molla.

Biography[edit]

Molla is the second female Telugu poet of note, after Tallapaka Timmakka, wife of Annamacharya. She translated the Sanskrit Ramayana into Telugu.
Her father Kesana was a potter of Gopavaram, a village in Badvel Mandal, fifty miles north of Kadapa in Andhra Pradesh state. He was a Saivaite and devotee of Srikantha Malleswara (an incarnation of Shiva) in Srisailam. He gave her daughter the name Molla, meaning "Jasmine", a favourite flower of the god, and also nicknamed her Basavi in respect to Basaveswara (another incarnation of Shiva).
Molla claimed Lord Shiva as Guru, and her inspiration is claimed to have come from Potana, who wrote Bhagavata purana in Telugu. Like him, she was Saivaite, but wrote the story of Rama (an incarnation of Vishnu) and also refused to dedicate her Ramayana to any king, a general practice for poets at the time.
According to Varadarajn's book, "Study of Vaishnava Literature", as her popularity spread, she was invited to Sessions court and got an opportunity to recite Ramayana in front ofKrishnadevaraya and his poets. She spent her old age at Srisailam in the presence of Lord Srikantha Malleswara.

Works and style[edit]

Her work is known as Molla bhagavata and is still one of the simplest of many Ramayans written in Telugu.
She primarily used simple Telugu and only used Sanskrit words very rarely. Poets that had written earlier than her like Potana used Sanskrit words freely in their works.
She was humble and paid tribute to the earlier scholars who had written the Ramayana in her book. The opening poem says - "Ramayana had been written many times. Does someone stop taking food because it has been taken every day? So is the story of Rama and one can write, read and love it as many number of times as possible."Additionally, she states that if a work is filled with words that reader cannot understand instantaneously, it would be like a dialogue between a deaf person and a dumb person. In other words, poetry should be intelligible to the reader as he reads along and without referring to dictionaries and/or consulting scholars. According to Molla, poetry should be like honey on the tongue—one should feel it as soon as the honey hits tongue.
She added fictional accounts to original stories and in some instances, removed some portions from the original story. Sanskrit-to-Telugu translation works from earlier poets likeTikkana followed the exact story sequences in the original work. She was contemporary to Srinatha and poets of the Vijayanagara Empire, who created Prabhandas which are known for adding fictions.Several critics have attested to her claim as valid. Her Ramayanam has been quoted as a work filled with native flavor, ease of diction and appealing to ordinary readers.

Awards and honors[edit]

  • Andhra Pradesh government erected a statue of her on the tankbund in Hyderabad along with few other Great Telugu personalities.
  • A fictional account of her life story has been written by Inturi Venkateswara Rao, under the title Kummara Molla, published in 1969
  • Based on this novel, another writer Sunkara Satyanarayana wrote a ballad, which became very popular and has been sung all over Andhra Pradesh
  • She was used as a symbol of women's advancement by women's associations. On one recent occasion a women's rights protest began at her statue in Hyderabad, in 2006.
  • A movie Kathanayika Molla was made about her, with Vanisri playing the lead role.